Welcome to Brian's Bits, where Brian gets to share at length about various topics stirring inside of him.
Thoreau On Owls
28 March 2013
Not long ago I read the great American classic Walden by Henry David Thoreau. Although its style and language did get tedious at times, all in all it was a great read. There were some passages which were very engaging, including his descriptions of owls, which I have reproduced below in order to celebrate my 51st birthday today. The last two paragraphs are particulary over-the-top and a real hoot! What an amazing, poetic imagination! They left me screeching with laughter — I hope you enjoy them as well!
I rejoice that there are owls. Let them do the idiotic and maniacal hooting for men. It is a sound admirably suited to swamps and twilight woods which no day illustrates, suggesting a vast and undeveloped nature which men have not recognized. They represent the stark twilight and unsatisfied thoughts which all have. All day the sun has shone on the surface of some savage swamp, where the single spruce stands hung with usnea lichens, and small hawks circulate above, and the chickadee lisps amid the evergreens, and the partridge and rabbit skulk beneath; but now a more dismal and fitting day dawns, and a different race of creatures awakes to express the meaning of Nature there.
One afternoon I amused myself by watching a barred owl (Great Grey Owl - Strix nebulosa) sitting on one of the lower dead limbs of a white pine, close to the trunk, in broad daylight, I standing within a rod of him. He could hear me when I moved and crunched the snow with my feet, but could not plainly see me. When I made most noise he would stretch out his neck, and erect his neck feathers, and open his eyes wide; but their lids soon fell again, and he began to nod. I too felt a slumberous influence after watching him half an hour, as he sat thus with his eyes half open, like a cat, winged brother of the cat. There was only a narrow slit left between their lids, by which be preserved a pennisular relation to me; thus, with half-shut eyes, looking out from the land of dreams, and endeavoring to realize me, vague object or mote that interrupted his visions. At length, on some louder noise or my nearer approach, he would grow uneasy and sluggishly turn about on his perch, as if impatient at having his dreams disturbed; and when he launched himself off and flapped through the pines, spreading his wings to unexpected breadth, I could not hear the slightest sound from them. Thus, guided amid the pine boughs rather by a delicate sense of their neighborhood than by sight, feeling his twilight way, as it were, with his sensitive pinions, he found a new perch, where he might in peace await the dawning of his day.
For sounds in winter nights, and often in winter days, I heard the forlorn but melodious note of a hooting owl indefinitely far; such a sound as the frozen earth would yield if struck with a suitable plectrum, the very lingua vernacula of Walden Wood, and quite familiar to me at last, though I never saw the bird while it was making it. I seldom opened my door in a winter evening without hearing it; "Hoo hoo hoo, hoorer, hoo," sounded sonorously, and the first three syllables accented somewhat like "how der do;" or sometimes "hoo, hoo" only. One night in the beginning of winter, before the pond froze over, about nine o'clock, I was startled by the loud honking of a goose, and, stepping to the door, heard the sound of their wings like a tempest in the woods as they flew low over my house. They passed over the pond toward Fair Haven, seemingly deterred from settling by my light, their commodore honking all the while with a regular beat. Suddenly an unmistakable cat-owl from very near me, with the most harsh and tremendous voice I ever heard from any inhabitant of the woods, responded at regular intervals to the goose, as if determined to expose and disgrace this intruder from Hudson's Bay by exhibiting a greater compass and volume of voice in a native, and boo-hoo him out of Concord horizon. "What do you mean by alarming the citadel at this time of night consecrated to me? Do you think I am ever caught napping at such an hour, and that I have not got lungs and a larynx as well as yourself? Boo-hoo, boo-hoo, boo-hoo!" It was one of the most thrilling discords I ever heard. And yet, if you had a discriminating ear, there were in it the elements of a concord such as these plains never saw nor heard.
When other birds are still, the screech owls take up the strain, like mourning women their ancient u-lu-lu. Their dismal scream is truly Ben Jonsonian. Wise midnight hags! It is no honest and blunt "tu-whit tu-who" of the poets, but, without jesting, a most solemn graveyard ditty, the mutual consolations of suicide lovers remembering the pangs and the delights of supernal love in the infernal groves. Yet I love to hear their wailing, their doleful responses, trilled along the woodside; reminding me sometimes of music and singing birds; as if it were the dark and tearful side of music, the regrets and sighs that would fain be sung. They are the spirits, the low spirits and melancholy forebodings, of fallen souls that once in human shape night-walked the earth and did the deeds of darkness, now expiating their sins with their wailing hymns or threnodies in the scenery of their transgressions. They give me a new sense of the variety and capacity of that nature which is our common dwelling. "Oh-o-o-o-o that I never had been bor-r-r-r-n!" sighs one on this side of the pond, and circles with the restlessness of despair to some new perch on the gray oaks. Then, "that I never had been bor-r-r-r-n!" echoes another on the farther side with tremulous sincerity, and "bor-r-r-r-n!" comes faintly from far in the Lincoln woods.
I was also serenaded by a hooting owl. Near at hand you could fancy it the most melancholy sound in Nature, as if she meant by this to stereotype and make permanent in her choir the dying moans of a human being — some poor weak relic of mortality who has left hope behind, and howls like an animal, yet with human sobs, on entering the dark valley, made more awful by a certain gurgling melodiousness. I find myself beginning with the letters "gl" when I try to imitate it — expressive of a mind which has reached the gelatinous, mildewy stage in the mortification of all healthy and courageous thought. It reminded me of ghouls and idiots and insane howlings. But now one answers from far woods in a strain made really melodious by distance — "Hoo hoo hoo, hoorer hoo;" and indeed for the most part it suggested only pleasing associations, whether heard by day or night, summer or winter.
This article is 9th a series of articles on this Web site related to Literature, Music and Photography which also includes (scroll to see the entire list):
There are no reader comments for this blog entry.